Local Community Experiences of Displacement from Syria: Views from Lebanon, Jordan and Turkey
This piece, which is a re-posting from The Oxonion Review, continues our focus on literary translation and displacement. It is the fifth instalment of our Translation, Poetry and Displacement Series: you can read the other instalments by following the link at the bottom of this page or by clicking here. In this piece, Refugee Hosts Writer in Residence Yousif M.…
This piece, which is a re-posting from The Oxonion Review, continues our focus on literary translation and displacement. Refugee Hosts Writer in Residence Yousif M. Qasmiyeh, in collaboration with the Oxford Student PEN group, translates the poetry of Syrian writer Tammam Al-Tillawi. The poem is one of five works of translation from Arabic and French into English. It […]
This piece, which is a re-posting from The Oxonion Review, continues our focus on literary translation and displacement. Refugee Hosts Writer in Residence Yousif M. Qasmiyeh, in collaboration with the Oxford Student PEN group, translates the poetry of Syrian writer Tammam Al-Tillawi. The poem is one of five works of translation from Arabic and French into English. It…
This piece, which is a re-posting from The Oxonion Review, continues our focus on literary translation and displacement. It is the second instalment of our Translation, Poetry and Displacement Series: you can read the other instalments by following the link at the bottom of this page. In this piece, Refugee Hosts Writer in Residence Yousif M. Qasmiyeh, in collaboration with…
This March, the Middle East Studies department at Brown University, Rhode Island is hosting an exhibition - Time Machine: Stereoscopic Views from Palestine, 1900 - that invites spectators to become time travellers. Drawing on 100 images taken in 1900 of Palestine and the surrounding 'Holy Land', the collection - curated by Ariella Azoulay and Issam Nassar…
Our Spring newsletter is now available to view online. Please follow the link below for information on the project, including blog highlights, updates and information on how you can get involved: 2017 01 Spring If you have any questions, or would like to get involved in the project, please get in touch by visiting our…
By Yousif M. Qasmiyeh, University of Oxford As we write about the Self, the image of the refugee always floats nearby. It floats palpably and metonymically, as both its own entity and marker. At this moment in time, the refugee has become the conceit of bare survival, the naked survivor whose corpus is no longer…
By Hari Reed, University of East Anglia Prior Meltings Next day Alexandru conjured up himself from sea-rim green. He conjured road, as we all do, in time. I walked behind, blended in to trace his spines, melted into path and paved all myself over. Gently rock hard; melting finger-first like tallow candles, lazy snake…
READ CHAPTER ONE AND TWO. This is the final part of Tahmineh Hooshyar Emami‘s three part re-imagination of the classic children’s story Alice in Wonderland, told from the perspective of Alice the refugee. In this chapter, we learn what has happened to Alice after her journey across the Aegean: this is a moment of confusion and im/mobility. Tahmineh’s piece demonstrates…
By Aydan Greatrick and Elena Fiddian-Qasmiyeh, University College London On the 6 February 2017, Tom Bailey - the 2017 Leverhulme Artist in Residence at UCL Geography’s Migration Research Unit, and founder of the Mechanical Animal Corporation – organised and led a “Refugee Theatre Workshop” at UCL. The workshop drew on his experiences working in ‘the…
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