Flesh when mutilated called God

Flesh when mutilated called God By Yousif M. Qasmiyeh, University of Oxford and Refugee Hosts Writer in Residence Time is God’s journey to his shadow. An incomplete sentence is the place. In the non-occurrence of birth, aborting the camp becomes the only possibility. Might the dialects be the place that will be? The hole is…

It is a camp despite the name

It is a camp despite the name by Yousif M. Qasmiyeh and Elena Fiddian-Qasmiyeh, Refugee Hosts Existence, as it is, happens in the intentions of things. A sign or signs piled on top of one another, barely separated by air and the narrowest of voids: white on blue or blue on white. There is a background…

There will always be a vendor before and after the picture

This piece continues a series of poetic responses to photographs taken by Refugee Hosts PI Dr Elena Fiddian-Qasmiyeh during a field-trip to Baddawi refugee camp and the neighbourhood of Jebel al-Baddawi in North Lebanon, and to a range of neighbourhoods in Beirut in March-April 2018. Written by Refugee Hosts Writer-in-Residence Yousif M. Qasmiyeh and PI Dr Elena Fiddian-Qasmiyeh,…

A daily rhythm inside which time can grow…

This piece continues a series of poetic responses to photographs taken by Refugee Hosts PI Dr Elena Fiddian-Qasmiyeh during a field-trip to Baddawi refugee camp and the neighbourhood of Jebel al-Baddawi in North Lebanon, and to a range of neighbourhoods in Beirut in March-April 2018. Written by Refugee Hosts Writer-in-Residence Yousif M. Qasmiyeh and/or PI Dr Elena Fiddian-Qasmiyeh,…

Refugee Neighbours & Hostipitality

Accounting for the roles of local communities is a key aim of our project, and of the 'Localisation of Aid' agenda more broadly. However, as a result of the mainstream narratives that pervade the literature on conflict-induced displacement, efforts to properly engage with the local have been held back by a failure to fully recognise…

Giving Refugees a Voice? Looking Beyond ‘Refugee Stories’ 

How does UNHCR narrate refugee stories through its official media? In this piece, Leonie Harsch adopts a critical approach, and builds on a number of important arguments put forward by researchers, to argue that the telling of 'refugee stories' by humanitarian organisations can sometimes result in exclusionary outcomes - this is especially the case when individual…

The Camp is the Reject of the Reject Par Excellence

The Camp is the Reject of the Reject Par Excellence by Yousif M. Qasmiyeh, University of Oxford and Refugee Hosts Writer in Residence   I It bears multiple meanings, depending on how it is said. For my mother, however, the meaning was clear enough to be taken from my father’s mouth to God’s and vice…

A Tale of Humanity, Love and Reaching out to Refugees

In this piece (re-posted from The National) Professor Alison Phipps, UNESCO Chair for Refugee Integration through Languages and the Arts at the University of Glasgow, reflects on the interpersonal nature of hosting - and the way it develops through everyday encounters -, arguing that intimate and local level dynamics are at the core of refugee…

ΤΣΣΣΣ ΤΣΣΣ ΤΣΣ ΣΣΣ – Summer in Athens: A Sound Essay

This soundscape of Athens, Greece, offers an evocative and immersive insight into sounds of everyday life in the city. Athens has become home to many refugees from Syria and elsewhere, who have brought with them new sounds documented in this piece. Engaging with spaces of refuge through sound is a method that can help us…

Invisible (at) Night: space, time and photography in a refugee camp

by Dr. Elena Fiddian-Qasmiyeh, UCL and PI of Refugee Hosts Invisible (at) night: space, time and photography in a refugee camp If our perceptions of refugees’ experiences of displacement were based on photographs produced and disseminated by the UN, NGOs and the media, we could be forgiven for assuming that refugees’ daytimes are either seemingly…