Refugee Hosts' writer-in-residence, Yousif M. Qasmiyeh, will participate in the 'Migrant Knowledge: Early Modern and Beyond' event at the University of Cambridge next week. This three-day public event will bring together academics, artists, and activists to 'explore alternative ways of thinking and knowing about migration – of people, things, and ideas – rooted in the … Continue reading Refugee Hosts’ writer-in-residence, Yousif M. Qasmiyeh, at The Cambridge Centre for the Study of Global Human Movement
Refugee Hosts' PI, Prof. Elena Fiddian-Qasmiyeh and writer-in-residence, Yousif M. Qasmiyeh, will participate in the inaugural South-South Forum, Dartmouth College, New Hampshire, which will be held over 3 days from the 13th – 15th of August 2019. This international and interdisciplinary workshop contributes to the aim of the South-South Forum to bring artists, scholars and activists into … Continue reading Refugee Hosts at inaugural South-South Forum, Dartmouth College, US
There it is: the camp that is yet to be born by Yousif M. Qasmiyeh, Oxford University and Refugee Hosts There it is: the camp that is yet to be born. The camp’s existence will always be on a par with time in the superfluity of tenses. I do not know how the archive can … Continue reading There it is: the camp that is yet to be born
Listen to Refugee Hosts' writer-in-residence, Yousif M. Qasmiyeh, in conversation with Adriana X. Jacobs (University of Oxford) who is the producer and host of the Staying Alive: Poetry and Crisis podcast series, as he discusses writing the camp, poetry’s ways of seeing, and the signs that death leaves in the camp to remember, revisit, and translate.
On the 28th and 29th of June 2019, Refugee Hosts' Writer in Residence, Yousif M. Qasmiyeh, will be contributing to the World Conference on Statelessness in The Hague. In addition to speaking and reading his poetry at the panel on 'Citizenship in Unrecognised States' on 28th of June, Yousif will be participating in a series … Continue reading Yousif M. Qasmiyeh at the World Conference on Statelessness
Throughout our research in Lebanon and Jordan, the Refugee Hosts project has been tracing how, why and with what effect the residents of diverse neighbourhoods have been responding to the arrival and presence of refugees from Syria. In her latest contribution to our Reflections from the Field Series, Refugee Hosts PI Prof. Elena Fiddian-Qasmiyeh draws … Continue reading The Poetics of Undisclosed Care
The Throne Yousif M. Qasmiyeh, University of Oxford and Refugee Hosts Writer in Residence No one has ever seen the bereaved mother. They arrived at night bearing nothing but their cries. The father, the son, the wheelchair... In the picture, the order is merely an aesthetic thing. Or more precisely an echo of the … Continue reading The Throne
The Third Voice and Third Eye in our Photo-Poetic Reflections by Yousif M. Qasmiyeh (University of Oxford) and Prof. Elena Fiddian-Qasmiyeh (Refugee Hosts) A shared surname both reflects and itself has produced diverse forms of creative intimacies in a range of research and non-research encounters. In a series of photo-poetic reflections published as part of … Continue reading The Third Voice and Third Eye in our Photo-Poetic Reflections
On Monday, 4th February, Refugee Hosts' writer-in-residence, Yousif M. Qasmiyeh, will facilitate a translation workshop focusing on contemporary Arabic poetry produced by Palestinian, Iraqi and Syrian refugees as part of the Refugee Hosts' creative writing workshops convened by Prof. Lyndsey Stonebridge and Yousif in Lebanon (Baddawi Camp and Hamra) and Jordan (Jerash and Al-Zarqa) in 2018. Held as part of the Oxford Comparative Criticism Translation (OCCT) Discussion Group … Continue reading Translation workshop on contemporary Arabic poetry produced by Palestinian, Iraqi and Syrian refugees.
Marking the launch of the inaugural issue of the Migration and Society journal, in this piece Yousif M. Qasmiyeh (Refugee Hosts' Writer in Residence and Creative Encounters Editor of the new journal) sets out one of the aims of the journals' Creative Encounters section; to problematise the notion of voice. The piece also presents five poems … Continue reading “To embroider the voice with its own needle”