The Third Voice and Third Eye in our Photo-Poetic Reflections

The Third Voice and Third Eye in our Photo-Poetic Reflections by Yousif M. Qasmiyeh (University of Oxford) and Prof. Elena Fiddian-Qasmiyeh (Refugee Hosts) A shared surname both reflects and itself has produced diverse forms of creative intimacies in a range of research and non-research encounters. In a series of photo-poetic reflections published as part of … Continue reading The Third Voice and Third Eye in our Photo-Poetic Reflections

“To embroider the voice with its own needle”

Marking the launch of the inaugural issue of the Migration and Society journal, in this piece Yousif M. Qasmiyeh (Refugee Hosts' Writer in Residence and Creative Encounters Editor of the new journal) sets out one of the aims of the journals' Creative Encounters section; to problematise the notion of voice. The piece also presents five poems … Continue reading “To embroider the voice with its own needle”

Shadows and Echoes in/of Displacement

Shadows and Echoes in/of Displacement: Temporalities, spatialities and materialities of displacement by Prof. Elena Fiddian-Qasmiyeh, Refugee Hosts In line with our project's Spaces and Places not Faces approach to representation, a key question arising in Refugee Hosts is how we can represent, and conceptualise, the 'field-sites' where we are conducting research. Through diverse media - … Continue reading Shadows and Echoes in/of Displacement

Flesh when mutilated called God

Flesh when mutilated called God By Yousif M. Qasmiyeh, University of Oxford and Refugee Hosts Writer in Residence Time is God’s journey to his shadow. An incomplete sentence is the place. In the non-occurrence of birth, aborting the camp becomes the only possibility. Might the dialects be the place that will be? The hole is … Continue reading Flesh when mutilated called God

In mourning the refugee, we mourn God’s intention in the absolute

In mourning the refugee, we mourn God’s intention in the absolute Yousif M. Qasmiyeh, University of Oxford  How can there be a world apropos a camp? How can there be a camp apropos a world? We repeat the repeated so we can see our features more clearly, the face as it is, the cracks in … Continue reading In mourning the refugee, we mourn God’s intention in the absolute