Time Machine: Stereoscopic Views from Palestine, 1900

This March, the Middle East Studies department at Brown University, Rhode Island is hosting an exhibition - Time Machine: Stereoscopic Views from Palestine, 1900 - that invites spectators to become time travellers. Drawing on 100 images taken in 1900 of Palestine and the surrounding 'Holy Land', the collection - curated by Ariella Azoulay and Issam Nassar…

Broken Borders: Overcoming Personal and Cultural Barriers along the Refugee Route

In this piece, Ufuk Ozturk offers some personal reflections on his experiences working with refugees as a volunteer in Turkey. The following account touches on the roles that language and translation play in enabling not only conversations between cultures, but also insights into one's own personal identity, assumptions and beliefs. Examining such themes, and how…

The Jungle

By Yousif M. Qasmiyeh, University of Oxford As we write about the Self, the image of the refugee always floats nearby. It floats palpably and metonymically, as both its own entity and marker. At this moment in time, the refugee has become the conceit of bare survival, the naked survivor whose corpus is no longer…

Prior Meltings

By Hari Reed, University of East Anglia    Prior Meltings Next day Alexandru conjured up himself from sea-rim green. He conjured road, as we all do, in time. I walked behind, blended in to trace his spines, melted into path and paved all myself over. Gently rock hard; melting finger-first like tallow candles, lazy snake…

Alice’s Alternative Wonderland: Chapter Three

READ CHAPTER ONE AND TWO.  This is the final part of Tahmineh Hooshyar Emami‘s three part re-imagination of the classic children’s story Alice in Wonderland, told from the perspective of Alice the refugee. In this chapter, we learn what has happened to Alice after her journey across the Aegean: this is a moment of confusion and im/mobility. Tahmineh’s piece demonstrates…

The Roles of Performance and Creative Writing Workshops in Refugee-Related Research

By Aydan Greatrick and Elena Fiddian-Qasmiyeh, University College London On the 6 February 2017, Tom Bailey - the 2017 Leverhulme Artist in Residence at UCL Geography’s Migration Research Unit, and founder of the Mechanical Animal Corporation – organised and led a “Refugee Theatre Workshop” at UCL. The workshop drew on his experiences working in ‘the…

Q&A with Yousif M. Qasmiyeh

In this piece, which is a re-posting from the Asymptote blog, Theophilus Kwek interviews the Refugee Hosts writer in residence Yousif M. Qasmiyeh about his work, and the themes of displacement, exile and belonging that inform his poetry and writing. Read Yousif's poetry for the Refugee Hosts project here.  Q&A with Yousif M. Qasmiyeh  By…

Alice’s Alternative Wonderland: Chapter Two

READ CHAPTER ONE HERE.  This is chapter two of Tahmineh Hooshyar Emami's three part re-imagination of the classic children's story Alice in Wonderland, told this time from the perspective of Alice the refugee. In this chapter, we are told of the perilous journey Alice has to take to Europe, across the Aegean Sea. This is a story of…

Alice’s Alternative Wonderland: Chapter One

In this piece, the first of three chapters, Tahmineh Hooshyar Emami takes us down the Rabbit Hole in a re-imagination of the classic children's story Alice in Wonderland, told this time from the perspective of Alice the refugee. Torn from her homeland by conflict and war, Alice embarks on the long journey across Europe. This is…

Urban Warfare, Resilience and Resistance

Urban Warfare, Resilience and Resistance: Leila Abdelrazaq’s Baddawi (2015) by Dominic Davies, University of Oxford How can different kinds of cultural performance and production reconstruct new forms of social cohesion across cities scarred by physical and psychological boundaries? Comics (often known in an academic context as ‘graphic novels’), are becoming an increasingly popular form through…