Nedhal uses art not just as a method of recovery from trauma and pain, but as a means of showing solidarity and welcome to new arrivals, a way of connecting with people who have experience of displacement and loss, and to bridge the gap between people from different cultures, countries and generations. These are all themes that we have been exploring as part of Refugee Hosts’ Creative Archive, a critical space to document, trace and resist experiences of and responses to displacement and explore how stories connect with those of others, from the present and the past. In this piece, Caroline Lenette, an arts based researcher of the ‘Global North’, describes how, through her collaboration with Nedhal, she is able to relinquish the usual role of ‘question asker’ and privilege ‘culturally safe, trauma-informed’ ‘arts-health collaborations’ to ‘shift the ideological boundaries of knowledge and ways of knowing.’
If you find this piece of interest please visit our Creative Archive and our Approach page or you can access the recommended reading at the end of this piece.
‘Behind each work there is a story of pain’: Nedhal’s art makes her happy
by Caroline Lenette, Associate Professor in the School of Social Sciences at UNSW Sydney, and Deputy Director of the Australian Human Rights Institute & Nedhal Amir, Settlement Services International.
Everyone knows Nedhal in Fairfield, which is one of the most multicultural suburbs in Sydney, Australia. She has lived there for 15 years. She is a community leader and an artist. Originally from Iraq, Nedhal calls Australia home. She runs a weekly women’s group and assists newly arrived refugee-background families who are new to Sydney. Nedhal has become the ‘host’ in a new environment.
In 2015, Nedhal was hit by a car while crossing a busy road. She flew over the bonnet and broke her hip. She was in hospital for four months. She couldn’t walk for the first year, and she didn’t get out of the house for two years. The fracture in her hip is still not healed.
While discussing her art for a project Finding Home, Nedhal shared how artistic practice makes her feel happy and positive. Art is her therapy and takes her mind off pain. She does art and craft for healing: rock and glass painting, collages, floral design, food art, soap carving, paper mâché, candle design, you name it. “Without art, I would not be able to cope” Nedhal says.
Trauma is a normal part of Nedhal’s life. She doesn’t sleep well, so she makes art to keep her mind focused on something else. She displays her creations all around her house.
“I put all my suffering from pain and sleeplessness in beautiful pieces of art”, she says.
“Art makes you focus on things in your hands, whether you’re working with clay or ceramics. This is what I have to do, for myself, for my family, my children, my grandchildren”.
She shared a 3D picture of a peacock.
Nedhal made this three years ago to welcome a group Yazidi Iraqis resettled to Wagga Wagga. The peacock is symbolic of the region where they were born. This was Nedhal’s first time painting with oil and acrylic. She tried to capture how these newcomers might feel. She said, “The suffering and the pain is the same, differences from before don’t matter anymore”.
Nedhal welcomes many people in her home, who support her art and seek her advice. Her house and her art bring people together. It’s a way to bridge the gap across generations and remind younger people in their community about their culture and country.
“Art makes me patient. When you have to do very small, beautiful things and be precise, art calms you down when you’re angry”.
“When I make art, ideas come to me for options and solutions to help others, especially the women’s group. I make my talent work. It makes my mind work very well!”.
Nedhal hopes that other people who live with ‘permanent pain’ can feel inspired by her pain experience and turn their concerns into creative art.
As an arts-based researcher working in an academic institution in a Global North setting, it is a privilege to relinquish the role of ‘question-asker’ and enter a space alongside co-researchers to listen intently to art-inspired stories of hope, trauma, and culture.
Arts-based methods can create a sense of sanctuary for refugee-background co-researchers wherever they are situated. In a context where immigration policies are increasingly devoid of any sense of hospitality, arts-based approaches can alleviate the pressures of unrealistic expectations in terms of mental health, educational or employment outcomes as markers of ‘successful’ settlement.
By privileging culturally safe, trauma-informed approaches, arts-health collaborations can shift the ideological boundaries of knowledge and ways of knowing, just like the stories Nedhal shares about her art guide our understanding on what it’s like to live with pain and sleeplessness, and support loved ones and newcomers.
Arts-health research carves out spaces where creative forms of expression reflect precarious situations and narratives of strength and hope.
Antonopoulou, A. (2017) ‘The Virtual Reality of the Refugee Experience’
Blachnicka-Ciacek, D. (2017) ‘Refugees Present/Absent. Escaping the Traps of Refugee (Mis)representation’
Fiddian-Qasmiyeh, E. (2018) ‘Shadows and Echoes In/Of Displacement’
Fiddian-Qasmiyeh, E. (2017) ‘Disrupting Humanitarian Narratives? Introduction to the Representations of Displacement Series’
Fiddian-Qasmiyeh, E. (2016) ‘Palestinian and Syrian Refugees in Lebanon: Sharing Space, Electricity and the Sky’
Greatrick, A. & Fiddian-Qasmiyeh, E. ‘The roles of performance and creative writing workshops in refugee-related research’
Harsch, L. (2018) ‘Giving Refugees a Voice? Looking Beyond ‘Refugee Stories”
Karimi, S. A. Kurdi, M. S. Sourmelis, G. Western, T. Zafeiriou, S. ‘ΤΣΣΣΣ ΤΣΣΣ ΤΣΣ ΣΣΣ – Summer in Athens: A Sound Essay’
Western, T. (2020) ‘The Active Citizen’s Sound Archive’
Featured image: A 3d piece of art featuring a peacock by Nedhal Amir (c) Nedhal Amir and Caroline Lenette